Week Two: Art Analysis
Hello, everyone. Today, I would like to share with you one of my favorite paintings and the several different ways it uses the elements of art for deeper meaning and symbolism. The painting in question?
The Seventh Plague of Egypt
By John Martin
Painted in 1823 by English painter John Martin, this dramatic piece depicts the seventh plague that descended upon Egypt in the Biblical story of Moses, known as the Plague of Hail. "And Moses stretched forth his rod toward heaven: and the Lord sent thunder and hail, and the fire ran along upon the ground; and the Lord rained hail upon the land of Egypt." (Exodus 9:23)
First and foremost, the pure drama that exudes from this piece is apparent. The swirling and ominous clouds that bring forth destruction, the bright lights and its intentional use, and the small scale of the terrified people in the painting evoke such a strong sense of grand power. Let's break some of this down.
Contrast
One of this painting's biggest elements is its use of contrast and ways in which to interpret the composition. For example, you can split the painting in half from a diagonal line leading from the bottom left corner to the top right corner. The bottom right half would be all the buildings and structures of Egypt, and the top left half would be the looming destruction of the plague above. This can be interpreted as a contrast between the stability of the civilization of man and how it pales in comparison to the raw forces of divinely influenced nature above them.
Value
Another of the elements would be how the lighting emphasizes three main subjects, that being God's power in the sky, Moses himself with his brother Aaron, and the Egyptian monument to the left in the distance. This contrasts against the dark colors of the clouds and surrounding buildings and draws the eye. The light of God and the Egyptian monument could actually be seen as another contrast, where the monument is small and distant compared to the maelstrom above, signifying the power difference between the God of Moses and the Egyptian gods.
Perspective
Something John Martin does very well in many of his works is his sense of scale. He would often paint large landscapes from an aerial view, letting you see much of the distance. This painting is no different in that regard, as the sense of distance you get is tangible, and the sense of scale feels accurate. The overwhelming largeness of the storm is conveyed very well here, in my opinion
My Opinion
This painting is a favorite of mine. I'm a big fan of using perspective and scale to pull off these grand landscapes that make you feel awed, and this piece does that for me. I also like the fact that while the power and feeling of impending doom and fear is present in the painting, it's not overwhelming. You don't see a bunch of people getting blown up and buildings crashing on each other. Through the context of the scene, you know what is going on, and it's a more subtle type of destruction. It makes it more impactful, or perhaps memorable for me. Would implied carnage be an appropriate term? Regardless, I think it excels in what it set out to do, which was to depict a scene from the Bible in a fashion worthy of the story.
If any of you are interested, John Martin did many other paintings of religious scenes along the same lines as this one, and they are also quite striking. In particular, Joshua Commanding the Sun to Stand Still (1840) and The Last Judgement (1852) are ones I like, as well as a few of his non-religious works, such as The Destruction of Pompeii and Herculaneum (1821) and The Bard (1817). I hope my analysis was able to increase your appreciation for this particular painting, and I hope you have a good rest of the week.
Sources Cited
Exodus Chapter 9:23 KJV (King James Version), www.kingjamesbibleonline.org/Exodus-Chapter-9/#23. Accessed 13 Sept. 2024.
“John Martin (Painter).” Wikipedia, Wikimedia Foundation, 18 Aug. 2024, https://en.wikipedia.org/wiki/John_Martin_(painter)
Seventh Plague of Egypt – Works – Museum of Fine Arts, Boston, collections.mfa.org/objects/33665/seventh-plague-of-egypt. Accessed 13 Sept. 2024.
Message from Kass Ferm: Your analysis of John Martin’s painting is both insightful and thought-provoking. I especially appreciate how you highlighted the stark contrast between the dark, swirling clouds of the plague and the lighter tones illuminating the figures of Moses and Aaron. This juxtaposition beautifully emphasizes the dichotomy of fear and divine power, capturing the essence of impending doom.
ReplyDeleteAs a fellow believer, I find it deeply moving to see how artists like Martin interpret biblical accounts through their unique lens. Your remarks about the subtlety of the destruction depicted resonate with me; it allows viewers to engage with the narrative without being overwhelmed by chaos. Instead of overt violence, the painting evokes a sense of awe and reverence for God's might, making the scene all the more impactful.
I wholeheartedly agree with your insightful analysis of John Martin's painting. The dramatic contrast between the divine forces and the human scale really brings the scene to life, capturing both the awe and terror of the moment. As a fellow Christian, I truly appreciate the way Martin illustrates the power of God in such a striking and humbling manner. Your breakdown helped me see the painting in a deeper way, and I especially resonate with your point on implied carnage—it leaves room for reflection on the magnitude of God's power without overwhelming the viewer. Thanks for sharing your thoughts!
ReplyDeleteThis painting by John Martin is beautifully done. The contrast is so beautiful with the light and dark places on the canvas creating something that is very beautiful. You did a great job at describing this piece of art. The biblical accounts and explanation that you incorporated was a very thought provoking and accurate representation of the artwork.
ReplyDelete*Hannah Brooks
DeleteThank you for sharing this painting. Its so incredibly beautiful I had to take much time to admire it before reading on. "implied carnage" is the perfect term to describe it. The use of lines to pull the storm clouds sharply to the left almost feels like struggle between Moses and the destruction before him.
ReplyDeletePaul William Jr. I find this painting a great piece of art. Art painting has be around for a long time. It looks very real to me. I like the white clouds that looks like a door to heaven.
ReplyDelete